Tagged: #YEGTheatre

Season 4 Episode 28

 

The sound booth gets a little snug this week as we’re joined by Karen Unland and Elizabeth Spencer (from That’s a Thing?! podcast) to chat about the Citadel Young Company‘s Bat Boy: The Musical. Then Paul gives us his take on David Byrne‘s visit to the Jubilee Auditorium. Happy listening!

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Season 4 Episode 27

Terry and the Dog by Collin Doyle. From left to right: Maralyn Ryan, Robert Benz and Cole Humeny. Photo by: Ryan Parker

It’s a full-time week for guest Laura Raboud as we take in Old Stock: A Refugee Love Story at the Citadel Theatre, then hunker in for the befuddling, heart-churning experience of Collin Doyle’s new play, Terry and the Dog. What a time to be alive in #yegarts.

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Season 4 Episode 25

Guests galore on a big show week: Ainsley Hillyard drops in to chat about Shumka’s collaboration with Indigenous artists in Ancestors & Elders, while Laura Raboud enlightens us on the musical trappings of the Citadel Theatre/Banff Centre production of The Silver Arrow: The Untold Story of Robin HoodNo spoilers, promise!

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Season 4 Episode 24

Miranda Allen (left) and Nadien Chu (right) in Workshop West’s production of Beth Graham’s Pretty Goblins.  Photo by: Marc J. Chalifoux

A week of wonder and juxtaposition: We ramble on physics and music (Theatre Network‘s Infinity); clapping and gravitas (Jairo Barrull Flamenco Company); and the gut-wrenching, mind-stilling Pretty Goblins at Workshop West. We have a bet that one will win a Governor General Award. Can you guess which one?

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Season 4 Episode 21

We tackle Tiny Bear Jaws‘ production of Cleave, a play by bright young writer/producer Elena Belyea, where six characters work through identity issues from the inside out. Be forewarned, there’s adult content (but is it really?). Also we mull over new developments on YEG’s venue front and the EAC‘s ongoing public consultation process. Have a listen, there’s much to explore on stages this month!

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Season 4 Episode 20

It happened: Betroffenheit blew through the Citadel on Easter weekend, leaving audiences agog in its wake. Did it meet our incredibly high expectations? But first, Paul and Fawnda mull over the art of consultation in light of the Galleria going kaput and the myriad public sessions seeking input on the city’s 2029 Arts & Heritage Plan. Are you taking part? Listen up, find out how to take part, and let us know what you think. Check out the links below:

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Season 4 Episode 19

Photo by: Paul McGrath

It’s classical children’s tale meets near-classic trope of parents facing the tragic death of a child. This week Paul takes on Alberta Ballet‘s sparkling new Cinderella, while Fawnda gets a taste of the “slow-theatre” movement at Wild Side Productions’ Poison with Laura Raboud.

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Season 4 Episode 16

YEG stages are hopping these days. Paul and Fawnda start out a busy week with Toronto Dance Theatre‘s 50th Anniversary showcase House Mix, followed hotly on the heels by Mercury Opera‘s site-appropriate production of La Traviata at Chez Pierrewhich includes the return of guest opera buff Colleen Feehan. Bringing it home (all the way back to  Ukraine, no less), is Pyretic Productions‘ Blood of Our Soil. 

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Season 4 Episode 15

It’s a very special episode, with a very special guest’s hot take on Andrew Tay’s You Can’t Buy it, But I’ll Sell it to You Anyway SUCKA (hint, it’s Brian Webb!). Plus we cover Sheldon Elter’s Metis Muttrunning at Theatre Network through March 4th, and Paul’s first-ever Citie Ballet show.

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Season 4 Episode 6

We’re going down—way down—to Hadestown, folks. Destined for Broadway after the Citadel hosts its Canadian stage debut, Hadestown is a new musical based on the eponymous album by folk superstar Anais Mitchell, developed for stage by director Rachel Chavkin. We caught some dance, too. Thoughts on Good Women Dance Collective‘s annual showcase, Convergence, come in after (wait for it) Hadestown spoilers. Join us the road to hell—it’s warmer than YEG for sure.

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