Our Summer Stock series continues: We sit down with Sam Jeffery of #YEGTheatreStats to chat about the gender balance of creative teams in Edmonton theatres, and how a display of hard numbers might make a difference for representation for future seasons. Plus, news about upcoming road trips and more—stay dry out there!
It’s summer stock time! Fawnda is joined by Laura Raboud to chat about this year’s Freewill Shakespeare Festival, which is alternating Hamlet and Comedy of Errors amid the squirrels in Hawrelak Park until July 15. Plus, we re-cap what went down at the Sterling Awards, and highlight a fascinating public spreadsheet that weighs gender-based stats of YEG’s theatre companies.
It’s a peanut butter and jam-slammed episode of #yegarts news, Sterlings chatter, classical Kathak in KHOJ, and a very special drop-in by Trent Wilkie from The Undad to talk about Concrete Theatre‘s Sprouts Festival and theatre for kidlets. Also Fawnda attempts to describe seeing Angels in America in one measly minute. Listen to her fail!
The sound booth gets a little snug this week as we’re joined by Karen Unland and Elizabeth Spencer (from That’s a Thing?! podcast) to chat about the Citadel Young Company‘s Bat Boy: The Musical. Then Paul gives us his take on David Byrne‘s visit to the Jubilee Auditorium. Happy listening!
It’s a full-time week for guest Laura Raboud as we take in Old Stock: A Refugee Love Story at the Citadel Theatre, then hunker in for the befuddling, heart-churning experience of Collin Doyle’s new play, Terry and the Dog. What a time to be alive in #yegarts.
Guests galore on a big show week: Ainsley Hillyard drops in to chat about Shumka’s collaboration with Indigenous artists in Ancestors & Elders, while Laura Raboud enlightens us on the musical trappings of the Citadel Theatre/Banff Centre production of The Silver Arrow: The Untold Story of Robin Hood. No spoilers, promise!
A week of wonder and juxtaposition: We ramble on physics and music (Theatre Network‘s Infinity); clapping and gravitas (Jairo Barrull Flamenco Company); and the gut-wrenching, mind-stilling Pretty Goblins at Workshop West. We have a bet that one will win a Governor General Award. Can you guess which one?
We tackle Tiny Bear Jaws‘ production of Cleave, a play by bright young writer/producer Elena Belyea, where six characters work through identity issues from the inside out. Be forewarned, there’s adult content (but is it really?). Also we mull over new developments on YEG’s venue front and the EAC‘s ongoing public consultation process. Have a listen, there’s much to explore on stages this month!
It happened: Betroffenheit blew through the Citadel on Easter weekend, leaving audiences agog in its wake. Did it meet our incredibly high expectations? But first, Paul and Fawnda mull over the art of consultation in light of the Galleria going kaput and the myriad public sessions seeking input on the city’s 2029 Arts & Heritage Plan. Are you taking part? Listen up, find out how to take part, and let us know what you think. Check out the links below:
- YEG Culture Map
- EAC Consultation Sessions
- EAC Open Survey for 2029: Building Edmonton’s Community Plan for Arts & Heritage
It’s classical children’s tale meets near-classic trope of parents facing the tragic death of a child. This week Paul takes on Alberta Ballet‘s sparkling new Cinderella, while Fawnda gets a taste of the “slow-theatre” movement at Wild Side Productions’ Poison with Laura Raboud.