We split forces these past two weeks to catch Plastic Orchid Factory’s Digital Folk at Spazio Performativo and Good Women Dance Collective’s new full-length presentation of The Signal at their annual Convergence showcase. And, we begin our lament on the announcement that Vue Weekly, the city’s last bastion of dedicated print arts media, will cease production at the end of the month (sniffle). Get the kleenex, noses are running.
As promised, here’s a recipe for Mulled Wine, courtesy of The Spruce Eats. Stay warm, and enjoy! Also, note that there is some adult language in this episode.
The 2018 Edmonton International Fringe Festival is upon us! And that means artists and audiences alike are eagerly awaiting the reviews to come out. On this episode of I Don’t Get It, our ever-silent producer Andrew steps in front of the microphone to chat with Fawnda and Paul about everything you ever wanted to know about Fringe reviews. From the controversial use of star reviews to who has the right to review shows, this episode opens the hood to look at the criticism engine that can make or break an artist’s Fringe run. Happy Fringing everyone!
The 2018/19 theatre season is fast approaching. Do you have a show or season info you’d like us to include in our listings? Email the details to us at IDGIdance@gmail.com.