It’s the end of the theatre season—which means it’s time for Paul to join the Fringe circuit! On the way to the airport we re-cap favourite moments and winners from the Elizabeth Sterling Haynes Award show, and other happenings throughout the #YEG performance year.
In this episode we step into the quirky, continent-traversing world of Stewart Lemoine’s latest play, A Likely Story. Then, Paul takes in a bit of #NXTFST, and Fawnda takes a road trip to see Marienbad at TDT (Toronto Dance Theatre), and we muse on the Sterling Awards’ new non-gendered acting categories. Oh, and that new thing they’re building in Hawrelak Park. How big of a deal is that, really?
Pip-pip, we’re back, and off to Pinterland! Classical correspondent Colleen Feehan visits to discuss Broken Toys Theatre’s mounting of Betrayal, while Paul and Fawnda venture out to cake their shoes in hair and salt at Zero Gravity, a new performance art festival held in collaboration between dc3 Art Projects and Mile Zero Dance.
‘Twas a night of saluting Billy Shakes, moving storytellers, and also lovers/haters of whatever you think iambic pentameter is, was, or could be. We took in the Citadel Theatre’s The Tempest this week, which boggled and delighted all the senses.
On the heels of last week’s election, we go on aptly timed flashback tour to 1969 as drag queen activist ted northe rubs shoulders with an ambitious Pierre Trudeau in Darrin Hagen’s The Empress and the Prime Minister.
Then, to wrap up Easter Weekend we’re joined by multidisciplinary performer (and famed pysanky painter) Larissa Pohoreski to chat about the latest offering in the Brian Webb Dance Company’s season: the up-and-comers in Next Generation South Asian Dance.
Notes to episode: In the audio, we refer to Darrin Hagen’s induction into the Q Order of Canada, which isn’t actually a thing. Hagen was inducted into the Q Hall of Fame Canada in 2013.
Also, the red dye for dancers’ feet and hands as mentioned in the discussion of Next Generation South Asian Dance is called Alta. And now we know!
Paul returns to the co-hosting chair to discuss Plain Jane Theatre‘s production of Alison Bechdel’s Fun Home. And Fawnda is joined by her belle soeur to recount their fiery experience at the Edmonton Flamenco Festival featuring Tierra Flamenca.
Colleen Feehan joins Fawnda for a whole week of theatre; please enjoy as we mess up character names, toss aside our election fatigue, and try really hard—so darn hard—to not give away anything that happens in The Party/The Candidate. And then we sob our way through the incredible and deeply affecting performance by Vanessa Sabourin in Northern Light Theatre’s 19 Weeks.
We’ve been off for a while, so we thought it’d be fun to do a nice fat episode this week! Guests abound, too: First, Matthew Stepanic comes in to cover MAN UP!‘s boy-lesque extravanganza in Heroes at Spazio Performativo. Then, Colleen Feehan offers some quick thoughts on The Party at the Citadel (first of a two-part review—we’ll be seeing The Candidate next week). And finally, Jane Ogilvie visits the ECF studio to dish about all the addictive qualities of flamenco in anticipation of the third annual Edmonton Flamenco Festival. Whew! Enjoy!
We wrapped up the coldest February in decades with the anticipated return of Mercury Opera to Chez Pierre; this time the company impressed with La bohème set as a 1979 East Village artist-romp. And poet Brandon Wint’s Alive! collaboration at Mile Zero Dance brought tears to the eyes of special guests from Let’s Get Lit (Edmonton’s delightful poetry podcast). Keep those mittens on, and enjoy!