We’re joined by two of our favourite baby mamas in this episode! First, Raina (Fawnda’s sister) pops in to review Alberta Ballet’s newest cinematic venture in Frankenstein, and Colleen briefly escapes her newborn to weigh in on Punctuate! Theatre’s The Particulars.
Fawnda and Paul venture downtown to try out Carmen (again)! Following their road trip to the Badlands last summer, this year’s Mercury Opera production was set in two historic haunts: Act one was set at everyone’s favourite greasy spoon, The Commodore, followed by Act two at Chez Pierre. Also, the official Fringe fuss has begun—all
258 257 shows are now live for ticket sales. Exciting times!
For context on that missing show, here’s some reading: https://edmontonjournal.com/news/local-news/fringe-theatre-pulls-play-involving-david-belke
The Citadel Theatre’s summer experiment, Ring of Fire: The Music of Johnny Cash, is up and running, and Andrew joined in to notice that the titular song wasn’t even written by Cash—among other things. Also, Paul gives a full report of his time as a performer at the Toronto Fringe. Bring the heat!
It’s an all-Italian Summer for the Freewill Shakespeare Festival this year. Fawnda takes guests Matthew Stepanic and Andrea Anderson on a jaunt to the (very damp) Hawrelak Park for the company’s re-imagined Two Gentlemen of Verona, and the endearing pastoral clime of The Winter’s Tale. Do the ladies make it out okay? With ol’ Bill, well, never. But the laughs are there… right?
Pip-pip, we’re back, and off to Pinterland! Classical correspondent Colleen Feehan visits to discuss Broken Toys Theatre’s mounting of Betrayal, while Paul and Fawnda venture out to cake their shoes in hair and salt at Zero Gravity, a new performance art festival held in collaboration between dc3 Art Projects and Mile Zero Dance.
‘Twas a night of saluting Billy Shakes, moving storytellers, and also lovers/haters of whatever you think iambic pentameter is, was, or could be. We took in the Citadel Theatre’s The Tempest this week, which boggled and delighted all the senses.
On the heels of last week’s election, we go on aptly timed flashback tour to 1969 as drag queen activist ted northe rubs shoulders with an ambitious Pierre Trudeau in Darrin Hagen’s The Empress and the Prime Minister.
Then, to wrap up Easter Weekend we’re joined by multidisciplinary performer (and famed pysanky painter) Larissa Pohoreski to chat about the latest offering in the Brian Webb Dance Company’s season: the up-and-comers in Next Generation South Asian Dance.
Notes to episode: In the audio, we refer to Darrin Hagen’s induction into the Q Order of Canada, which isn’t actually a thing. Hagen was inducted into the Q Hall of Fame Canada in 2013.
Also, the red dye for dancers’ feet and hands as mentioned in the discussion of Next Generation South Asian Dance is called Alta. And now we know!
Paul returns to the co-hosting chair to discuss Plain Jane Theatre‘s production of Alison Bechdel’s Fun Home. And Fawnda is joined by her belle soeur to recount their fiery experience at the Edmonton Flamenco Festival featuring Tierra Flamenca.