Get ready to discuss what to do when you wake up drunk in a BBQ cover in your neighbour’s backyard as we discuss Toy Guns Dance Theatre’s remount of Fortuitous Endings: What To Do When You Wake Up Drunk In A BBQ Cover In Your Neighbour’s Backyard. Also, we check out Mile Zero Dance’s Remix where we find out how choreographers from Montreal and St. John’s, NL interpret the works of two local artists side-by-side.
The YEG season is in full swing as the IDGI team dissects a variety of body language blitzes, from the showy embraces of Tango Fire to the confounding gestures of symphony conductors. With special guest, Laura “Boo” Raboud, who dishes on her experience of the Prairie Dance Circuit—from both sides of the stage.
It’s a YEG miracle: Paul has never seen a Ukrainian dance show. So, we take him to Shumka’s latest production, KOBZAR. Incidentally, Fawnda also sees an intriguing collaboration with Good Women Dance Collective and ProCoro: Love/Fail.
It’s a stacked (man-heavy) episode, folks: Alberta Ballet‘s Dynamic Directions showcased choreographies by Wen Wei Wang, Aszure Barton, and Yukichi Hattori; EdMetro Chorus teamed up with Tony Olivares Dance and the parkour antics of FlyFree Movement; and finally we caught Brian Webb trouncing around with CLINKER (a.k.a. Gary James Joynes) talkin’ ’bout death and stuff. Whew.
Paul gives Fawnda the full recount of rest of Expanse 2016 (part of Chinook Series), including Coast to Coast, the astounding Mouthpiece, and the kinda disappointing pantomime of the well-known short story The Yellow Wallpaper.
Fawnda’s away, leaving Paul to hold down the blanket fort as we continue our coverage of the 2016 Chinook Series. In this episode Paul chats with Ainsley Hillyard about the Good Women Dance Collective‘s New Work Award. They’re joined by last year’s winner Anastasia Maywood and this year’s recipient Aimee Rushton. Then we sit down with Stephanie Morin-Robert and Alastair Knowles to get the skinny on their show Half Inch Thick.