Tagged: Paul Blinov

S5E35: Let the Fringe Fuss Begin

Laura Virella in Mercury Opera’s Carmen.

Fawnda and Paul venture downtown to try out Carmen (again)! Following their road trip to the Badlands last summer, this year’s Mercury Opera production was set in two historic haunts: Act one was set at everyone’s favourite greasy spoon, The Commodore, followed by Act two at Chez Pierre. Also, the official Fringe fuss has begun—all 258 257 shows are now live for ticket sales. Exciting times!

For context on that missing show, here’s some reading: https://edmontonjournal.com/news/local-news/fringe-theatre-pulls-play-involving-david-belke

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S5E27: Hell is empty, and the devils are just fine

Cast members from the Citadel Theatre’s The Tempest.
Photo by Ian Jackson, Epic Photography.

‘Twas a night of saluting Billy Shakes, moving storytellers, and also lovers/haters of whatever you think iambic pentameter is, was, or could be. We took in the Citadel Theatre’s The Tempest this week, which boggled and delighted all the senses.

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S5E25: Flamenco in the Fun Home

Paul returns to the co-hosting chair to discuss Plain Jane Theatre‘s production of Alison Bechdel’s Fun Home. And Fawnda is joined by her belle soeur to recount their fiery experience at the Edmonton Flamenco Festival featuring Tierra Flamenca.

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S5E7: Embalming Lenin

This week Paul and special guest host, Suzie Martin sit down to discuss Studio Theatre’s production of Lenin’s Embalmers by Vern Thiessen.  Plus, we chat about the World Cafe discussion series being hosted by Citadel Theatre. Check it out!

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S5E6: Dogs in Space and a Rage Baby

Fawnda is away this week, leaving Paul and Andrew to hold down the fort. In this episode we look at the existential dread of knowing your pet will one day die in Ainsley Hillyard’s Jezebel at the Still Point. Then we’re joined by Lindsay Eales, co-artistc director of CRIPSiE, to discuss the Mad creation processes behind Mobilize — a big ‘ol show featuring six works by artists living with disabilities and/or mental health issues. Buckle up folks as we blast off into space and behind the scenes into a world built on the principles of consent, choice, and invitation.

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S5E5: Playing Fools with Attakkalari

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We catch Bangalore’s Attakkalari Dance Company as part of the BWDC’s season, and the final full day of Play The Fool—with particular interest in their conversation on consent in interactive performance. News bits include the recent Senate appointments and RAM’s big opening day.

Special thanks to our new patrons: Fraser, Karen, Liz, and Alexis!

If you like our podcast and value media coverage of the arts in Edmonton,please consider becoming a Patron. And thanks for listening!

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S5E1: Le Season Preview

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Programs runneth over our desk—and we still are trying to cobble together what everyone is up to. BUT, that wouldn’t stop us from attempting to record our Season Preview! Long weekend stuttering, mispronunciations, and doggy barge-ins abound. Enjoy.

Also, check out the new listings calendar that EAC started up here. 

And please consider signing up to become a Patron. We’ve enjoyed conversing about stage stuff for four years now, and we’re hoping you can help us out with things like domain costs, editing software, and—let’s be honest—coffee.

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Season 4 Episode 36

Andrew Paul and Fawnda Mithrush’s kitchen table while reviewing the 2012 Edmonton international Fringe Festival.

The 2018 Edmonton International Fringe Festival is upon us! And that means artists and audiences alike are eagerly awaiting the reviews to come out. On this episode of I Don’t Get It, our ever-silent producer Andrew steps in front of the microphone to chat with Fawnda and Paul about everything you ever wanted to know about Fringe reviews. From the controversial use of star reviews to who has the right to review shows, this episode opens the hood to look at the criticism engine that can make or break an artist’s Fringe run. Happy Fringing everyone!

The 2018/19 theatre season is fast approaching. Do you have a show or season info you’d like us to include in our listings? Email the details to us at IDGIdance@gmail.com.

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Season 4 Episode 35

received_1911847322204631We survived! Paul and Fawnda took an eventful a road trip to the Badlands Amphitheatre to catch Mercury Opera and Opera Classica Nuova’s co-production of CARMEN—complete with roasted street corn, bright prairie skies, and an unmatchable backdrop for Bizet’s masterpiece. It was a wild ride, and we recorded some observations on the trip home.

If you have a show—or even a whole season—to share with us, please send the details to idgidance@gmail.com. We’ll do our best to include a comprehensive listing of performances in YEG during our next season.

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