Fawnda and Paul venture downtown to try out Carmen (again)! Following their road trip to the Badlands last summer, this year’s Mercury Opera production was set in two historic haunts: Act one was set at everyone’s favourite greasy spoon, The Commodore, followed by Act two at Chez Pierre. Also, the official Fringe fuss has begun—all
258 257 shows are now live for ticket sales. Exciting times!
For context on that missing show, here’s some reading: https://edmontonjournal.com/news/local-news/fringe-theatre-pulls-play-involving-david-belke
We wrapped up the coldest February in decades with the anticipated return of Mercury Opera to Chez Pierre; this time the company impressed with La bohème set as a 1979 East Village artist-romp. And poet Brandon Wint’s Alive! collaboration at Mile Zero Dance brought tears to the eyes of special guests from Let’s Get Lit (Edmonton’s delightful poetry podcast). Keep those mittens on, and enjoy!
We survived! Paul and Fawnda took an eventful a road trip to the Badlands Amphitheatre to catch Mercury Opera and Opera Classica Nuova’s co-production of CARMEN—complete with roasted street corn, bright prairie skies, and an unmatchable backdrop for Bizet’s masterpiece. It was a wild ride, and we recorded some observations on the trip home.
If you have a show—or even a whole season—to share with us, please send the details to email@example.com. We’ll do our best to include a comprehensive listing of performances in YEG during our next season.
YEG stages are hopping these days. Paul and Fawnda start out a busy week with Toronto Dance Theatre‘s 50th Anniversary showcase House Mix, followed hotly on the heels by Mercury Opera‘s site-appropriate production of La Traviata at Chez Pierre—which includes the return of guest opera buff Colleen Feehan. Bringing it home (all the way back to Ukraine, no less), is Pyretic Productions‘ Blood of Our Soil.