The week in dance left us stunned and slack-jawed. We caught Wen Wei Wang’s all-male Dialogue, juxtaposed with the incredible light-play in Hong Kong Exile’s ROOM 2048 (thanks to Laura Raboud for hopping in on that hot take!). Finally, Andrew and Fawnda took a pilgrimage to Banff to see the preview of Kidd Pivot’s newest full-length foray, Revisor.
Bonus note: For those who like books about dance history, the Nijinsky/Isadora Duncan riff at the top of the episode appears in The Chosen Maiden, a novel about Nijinsky’s younger sister, by Eva Stachniak.
It happened: Betroffenheit blew through the Citadel on Easter weekend, leaving audiences agog in its wake. Did it meet our incredibly high expectations? But first, Paul and Fawnda mull over the art of consultation in light of the Galleria going kaput and the myriad public sessions seeking input on the city’s 2029 Arts & Heritage Plan. Are you taking part? Listen up, find out how to take part, and let us know what you think. Check out the links below:
- YEG Culture Map
- EAC Consultation Sessions
- EAC Open Survey for 2029: Building Edmonton’s Community Plan for Arts & Heritage
It’s an extra special throwback to when Meg Roe and Alessandro Juliani were in town starring in Onegin. They’re also part of the sound design team for Betroffenheit, and before they moved on to the next tour stop, we snagged them to chat about working with Crystal Pite, their own creative partnership, and what to anticipate in one of the most widely acclaimed dance shows of the decade. Beasts, beats, Battlestar Galactica. Get it?
It’s a stacked episode, folks. Fawnda recounts her hike to the Banff Centre for Ballet BC‘s stunning 30th Anniversary showcase featuring works by Cayetano Soto, Stijn Celis, and Crystal Pite. Then, she and Paul unpack their thoughts on Convergence, the opening show of Good Women Dance Collective‘s season. Let’s just say there are no apologies made. By anyone. Ever.