We’re going down—way down—to Hadestown, folks. Destined for Broadway after the Citadel hosts its Canadian stage debut, Hadestown is a new musical based on the eponymous album by folk superstar Anais Mitchell, developed for stage by director Rachel Chavkin. We caught some dance, too. Thoughts on Good Women Dance Collective‘s annual showcase, Convergence, come in after (wait for it) Hadestown spoilers. Join us the road to hell—it’s warmer than YEG for sure.
It’s a stacked episode, folks. Fawnda recounts her hike to the Banff Centre for Ballet BC‘s stunning 30th Anniversary showcase featuring works by Cayetano Soto, Stijn Celis, and Crystal Pite. Then, she and Paul unpack their thoughts on Convergence, the opening show of Good Women Dance Collective‘s season. Let’s just say there are no apologies made. By anyone. Ever.
Paul and Fawnda take in Alberta Ballet‘s The Three Musketeers, David Nixon’s new, slightly odd, and swashbuckling take on the classic, plus a rundown of all the dance happenings coming up in Edmonton (PS: There’s a LOT of dance coming up. And we’re not even talking about The Nutcracker yet.)
Season 2 is upon us! Paul and Fawnda spew a whirlwind round-up of the upcoming #yegdance season for the rest of 2014, and we offer a special interview that we had over summer with the ladies of Montreal’s weekly dance podcast Dirty Feet.
It’s the Year in Review episode! Paul and Fawnda share their thoughts on the year in dance, particularly the highlights. Among other things, they discuss the most affecting show of the season, the dancer with the best name, and the gal in town with dragon balls.
When Paul flees to Toronto, special guest-host Jen Mesch joins Fawnda in the blanket fort to chat about the Good Women Dance Collective’s Convergence showcase.