We’re back with a jam-packed episode to start Season 3. Paul and Fawnda regale with tales from Isabelle Van Grimde’s the Body in Question(s)2, co-presented by BWDC and the U of A Museums. We ponder the release of Canada Council’s recent Yes I Dance survey (and its accompanying Interactive Dance Wheel), and finally round up all the dance events (and dancey-sorta things) to look forward to in #yeg for start of the 2015-16 season.
Day three at Expanse sees Anastasia Maywood, winner of the Good Women Dance New Work Award, visit the coat check. Then we catch up with Christine Frederick of Alberta Aboriginal Arts for a conversation about indigenous representation in arts, liberal sensitivities, and the complicated lines that art sometimes has to cross.
The Expanse Festival is upon us! Join us for the next four days as we record from the coat check of the ATB Financial Arts Barns. Day One: We chat with Festival Director Murray Utas, Lobbyist cat-wrangler (ie: Stage Manager) Julie Ferguson, the cast of Nancy’ McAlear’s The Contract, and visiting members of Washington DC’s The Dance Exchange.
Paul braves the blanket fort and Fawnda‘s head cold for a rousing conversation about BEARS, Pyretic Productions‘ latest theatrical work which featured so much dance, we couldn’t resist covering it. Also: The line-up for the Expanse Movement Arts Festival has been released, and we’re pretty darn excited about it.
A two-hour contemporary dance show is rare, and Toy Guns Dance Theatre’s latest—Fortuitous Endings (what to do when you wake up drunk in a BBQ cover in your neighbours yard)—lived up to the length of its title. Our hosts take on the show, the pile of sand, and discuss whether or not “accessibility” is a dirty word.
Paul and Fawnda take in Alberta Ballet‘s The Three Musketeers, David Nixon’s new, slightly odd, and swashbuckling take on the classic, plus a rundown of all the dance happenings coming up in Edmonton (PS: There’s a LOT of dance coming up. And we’re not even talking about The Nutcracker yet.)