It’s closing weekend of Where the Wild things Fringe, and Fawnda is joined by a panel of writers from Beer Tent Reviews to discuss highlights, lowlights, and happenings at this year’s festival grounds. Their discussion includes: holdovers, Sterling Award bets, star-rating bell curves, classics vs. new works, audience participation issues, and other monsters. It’s a DOOZIE. Enjoy!
This week Paul and special guest host, Suzie Martin sit down to discuss Studio Theatre’s production of Lenin’s Embalmers by Vern Thiessen. Plus, we chat about the World Cafe discussion series being hosted by Citadel Theatre. Check it out!
Fawnda is away this week, leaving Paul and Andrew to hold down the fort. In this episode we look at the existential dread of knowing your pet will one day die in Ainsley Hillyard’s Jezebel at the Still Point. Then we’re joined by Lindsay Eales, co-artistc director of CRIPSiE, to discuss the Mad creation processes behind Mobilize — a big ‘ol show featuring six works by artists living with disabilities and/or mental health issues. Buckle up folks as we blast off into space and behind the scenes into a world built on the principles of consent, choice, and invitation.
We catch Bangalore’s Attakkalari Dance Company as part of the BWDC’s season, and the final full day of Play The Fool—with particular interest in their conversation on consent in interactive performance. News bits include the recent Senate appointments and RAM’s big opening day.
Special thanks to our new patrons: Fraser, Karen, Liz, and Alexis!
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Programs runneth over our desk—and we still are trying to cobble together what everyone is up to. BUT, that wouldn’t stop us from attempting to record our Season Preview! Long weekend stuttering, mispronunciations, and doggy barge-ins abound. Enjoy.
Also, check out the new listings calendar that EAC started up here.
And please consider signing up to become a Patron. We’ve enjoyed conversing about stage stuff for four years now, and we’re hoping you can help us out with things like domain costs, editing software, and—let’s be honest—coffee.
The 2018 Edmonton International Fringe Festival is upon us! And that means artists and audiences alike are eagerly awaiting the reviews to come out. On this episode of I Don’t Get It, our ever-silent producer Andrew steps in front of the microphone to chat with Fawnda and Paul about everything you ever wanted to know about Fringe reviews. From the controversial use of star reviews to who has the right to review shows, this episode opens the hood to look at the criticism engine that can make or break an artist’s Fringe run. Happy Fringing everyone!
The 2018/19 theatre season is fast approaching. Do you have a show or season info you’d like us to include in our listings? Email the details to us at IDGIdance@gmail.com.
Our Summer Stock series continues: We sit down with Sam Jeffery of #YEGTheatreStats to chat about the gender balance of creative teams in Edmonton theatres, and how a display of hard numbers might make a difference for representation for future seasons. Plus, news about upcoming road trips and more—stay dry out there!
It’s summer stock time! Fawnda is joined by Laura Raboud to chat about this year’s Freewill Shakespeare Festival, which is alternating Hamlet and Comedy of Errors amid the squirrels in Hawrelak Park until July 15. Plus, we re-cap what went down at the Sterling Awards, and highlight a fascinating public spreadsheet that weighs gender-based stats of YEG’s theatre companies.
It’s a peanut butter and jam-slammed episode of #yegarts news, Sterlings chatter, classical Kathak in KHOJ, and a very special drop-in by Trent Wilkie from The Undad to talk about Concrete Theatre‘s Sprouts Festival and theatre for kidlets. Also Fawnda attempts to describe seeing Angels in America in one measly minute. Listen to her fail!