The 2018 Edmonton International Fringe Festival is upon us! And that means artists and audiences alike are eagerly awaiting the reviews to come out. On this episode of I Don’t Get It, our ever-silent producer Andrew steps in front of the microphone to chat with Fawnda and Paul about everything you ever wanted to know about Fringe reviews. From the controversial use of star reviews to who has the right to review shows, this episode opens the hood to look at the criticism engine that can make or break an artist’s Fringe run. Happy Fringing everyone!
The 2018/19 theatre season is fast approaching. Do you have a show or season info you’d like us to include in our listings? Email the details to us at IDGIdance@gmail.com.
Our Summer Stock series continues: We sit down with Sam Jeffery of #YEGTheatreStats to chat about the gender balance of creative teams in Edmonton theatres, and how a display of hard numbers might make a difference for representation for future seasons. Plus, news about upcoming road trips and more—stay dry out there!
It’s summer stock time! Fawnda is joined by Laura Raboud to chat about this year’s Freewill Shakespeare Festival, which is alternating Hamlet and Comedy of Errors amid the squirrels in Hawrelak Park until July 15. Plus, we re-cap what went down at the Sterling Awards, and highlight a fascinating public spreadsheet that weighs gender-based stats of YEG’s theatre companies.
It’s a peanut butter and jam-slammed episode of #yegarts news, Sterlings chatter, classical Kathak in KHOJ, and a very special drop-in by Trent Wilkie from The Undad to talk about Concrete Theatre‘s Sprouts Festival and theatre for kidlets. Also Fawnda attempts to describe seeing Angels in America in one measly minute. Listen to her fail!
The sound booth gets a little snug this week as we’re joined by Karen Unland and Elizabeth Spencer (from That’s a Thing?! podcast) to chat about the Citadel Young Company‘s Bat Boy: The Musical. Then Paul gives us his take on David Byrne‘s visit to the Jubilee Auditorium. Happy listening!
It’s a full-time week for guest Laura Raboud as we take in Old Stock: A Refugee Love Story at the Citadel Theatre, then hunker in for the befuddling, heart-churning experience of Collin Doyle’s new play, Terry and the Dog. What a time to be alive in #yegarts.
This week we catch Alberta Ballet’s All Of Us (ie: The Tragically Hip portrait ballet) in all its post-apocalyptic, dread-headed glory. Does it do Downie justice? Do we win the war? Is it even ballet? We try to answer these questions in the post-show parkade. Do we succeed? You tell us!
Guests galore on a big show week: Ainsley Hillyard drops in to chat about Shumka’s collaboration with Indigenous artists in Ancestors & Elders, while Laura Raboud enlightens us on the musical trappings of the Citadel Theatre/Banff Centre production of The Silver Arrow: The Untold Story of Robin Hood. No spoilers, promise!
A week of wonder and juxtaposition: We ramble on physics and music (Theatre Network‘s Infinity); clapping and gravitas (Jairo Barrull Flamenco Company); and the gut-wrenching, mind-stilling Pretty Goblins at Workshop West. We have a bet that one will win a Governor General Award. Can you guess which one?