Paul returns to the co-hosting chair to discuss Plain Jane Theatre‘s production of Alison Bechdel’s Fun Home. And Fawnda is joined by her belle soeur to recount their fiery experience at the Edmonton Flamenco Festival featuring Tierra Flamenca.
Colleen Feehan joins Fawnda for a whole week of theatre; please enjoy as we mess up character names, toss aside our election fatigue, and try really hard—so darn hard—to not give away anything that happens in The Party/The Candidate. And then we sob our way through the incredible and deeply affecting performance by Vanessa Sabourin in Northern Light Theatre’s 19 Weeks.
We’ve been off for a while, so we thought it’d be fun to do a nice fat episode this week! Guests abound, too: First, Matthew Stepanic comes in to cover MAN UP!‘s boy-lesque extravanganza in Heroes at Spazio Performativo. Then, Colleen Feehan offers some quick thoughts on The Party at the Citadel (first of a two-part review—we’ll be seeing The Candidate next week). And finally, Jane Ogilvie visits the ECF studio to dish about all the addictive qualities of flamenco in anticipation of the third annual Edmonton Flamenco Festival. Whew! Enjoy!
Spring has sprung! Snow is melting! Paul and guest Beth Dart got out to see Alberta Ballet’s A Midsummer Night’s Dream, and all of the well-costumed spinny-spinny dance dance it contained. Recorded in ultra luxurious lo-fi.
We wrapped up the coldest February in decades with the anticipated return of Mercury Opera to Chez Pierre; this time the company impressed with La bohème set as a 1979 East Village artist-romp. And poet Brandon Wint’s Alive! collaboration at Mile Zero Dance brought tears to the eyes of special guests from Let’s Get Lit (Edmonton’s delightful poetry podcast). Keep those mittens on, and enjoy!
Damien Atkins wows us with a tour-de-force performance in We Are Not Alone at Theatre Network, and dance conspiracist Jen Mesch returns to the ‘cast to share thoughts on Alberta Ballet’s de.Vi.ate triple bill, featuring choreographies by Wen Wei Wang, Christopher Anderson, and the premiere of Jean Grand-Maître’s ethereal and eerie Caelestis.
Here’s the throwback episode to our first take on Wen Wei Wang’s Futureland, which we saw back in 2016
The week in dance left us stunned and slack-jawed. We caught Wen Wei Wang’s all-male Dialogue, juxtaposed with the incredible light-play in Hong Kong Exile’s ROOM 2048 (thanks to Laura Raboud for hopping in on that hot take!). Finally, Andrew and Fawnda took a pilgrimage to Banff to see the preview of Kidd Pivot’s newest full-length foray, Revisor.
Bonus note: For those who like books about dance history, the Nijinsky/Isadora Duncan riff at the top of the episode appears in The Chosen Maiden, a novel about Nijinsky’s younger sister, by Eva Stachniak.
Just in time to provide respite from the deep freeze, Chinook blows through YEG with some seriously stunning storytelling. Guest Lisa Pruden (of The Well-Endowed Podcast) joins Fawnda for the Series’ opening night performances by Kiruthika Rathanaswami, The Lobbyists, and a cabaret-style melange at Sinergia‘s Unfold. Where is Paul? He’s at Wildfire (details inside). Stay warm, compadres!
We went into the woods twice this week to follow two different sets of siblings, in two vastly different productions. Colleen Feehan returns to the podcast for the 2000-kids-strong preview performance of Edmonton Opera’s Hansel & Gretel, and Nisha Patel joins us for a very special take on her personal and creative experience with Naheyawin’s Lake of the Strangers.
To check out Nisha’s website and upcoming performances, visit nishapatel.ca.
Andrew steps in to co-host while while Paul is halfway across the world! This week we were treated to a tantalizing triple-bill by Ballet BC, along with some tough, industrious love at the Citadel Theatre’s production of Sweat. Also, an emotionally redeeming evening at a rousing Latinx cabaret curated by the Popol Vuh Project.
Check out the flashback episode from 2015 when we first saw Solo Echo: https://idontgetityeg.com/2015/11/29/season-3-episode-4/